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THE SHAKESPEARE PAGE
TABLE OF CONTENTS:
BIOGRAPHY OF WILLIAM SHAKESPEARE
THE WORKS OF WILLIAM SHAKESPEARE
CHRONOLOGY OF THE LIFE AND TIMES OF WILLIAM SHAKESPEARE
Bonus Page:
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(1564-1616)
Shakespeare's Life
He finally retired to Stratford in 1610 at the height of his success, and died in 1616 on the day of his 52nd birthday. It is also possible that a lifetime of drinking, wine and ale was drunk instead of water, took its toll. A persistent tale has William falling ill after a heavy drinking session with a party that included his old friend/rival Ben Jonson. The first collection of Shakespeare's plays was published in 1623 after his death. It is known as the First Folio. Shakespeare is buried in Stratford and was recorded, "Will Shakspeare gent", in the Stratford parish register on the 25th of April, 1616. Shakespeare's grave was given pride of place, in front of the altar of Holy Trinity Church.
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THE WORK'S OF WILLIAM SHAKESPEARE
There were four major periods of development in Shakespeare's writing career.
The First Period
Began with his arrival in London and continued until about 1595. This was largely a period of experimentation. Some of these early plays may be revisions of other men's work. All containing experiments in verse forms, in types of situations, and inkinds of dramatic appeal. All are various forms of plays including Tragedy, Histories, Farces, and Comedies.
| Probable Date of First Performance | Title | Date of Publication | Chief Source |
| 1590 - 1592 | The Second Part of Henry The Sixth | 1594 | Holinshed, Chronicles |
| 1590 - 1592 | TheThirdPart of Henry The Sixth | 1595 | Holinshed, Chronicles |
| 1590 - 1592 | TheFirst Part of Henry The Sixth | 1623 | Holinshed, Chronicles |
| 1591 - 1593 | The Comedy of Errors | 1623 | Plautus, Menaechmi and Amphitruo |
| 1593 - 1594 | The Tragedy Of Titus Andronicus | 1594 | Unknown |
| 1592 - 1593 | The Tragedy of Richard The Third | 1597 | Holinshed, Chronicles |
| 1594 - 1595 | Love's Labor Lost | 1598 | Unknown |
| 1593 - 1594 | The Taming of the Shrew | 1623 | Anon., The Taming of a Shrew; Ariosto, I Suppositi |
| 1594 - 1595 | The Two Gentlemen Of Verona | 1623 | Montemayor, Diana |
The Second Period
During this period, which lasted until about 1601, Shakespeare used the tools of the playwright and poet much more. He seldom fialed to get the effect he wanted., and he confined himself to mostly comidies and histories.
| Probable Date of First Performance | Title | Date of Publication | Chief Source |
| 1594 - 1595 | The Tragedy Of Romeo And Juliet | 1597 | Brooke, The Tragicall Historye of Romeus and Juliet |
| 1595 - 1596 | The Tragedy Of King Richard The Second | 1597 | Holinshed, Chronicles |
| 1595 - 1596 | A Midsummer Night's Dream | 1600 | No single comprehensive sourse |
| 1596 - 1597 | The Life And Death Of King John | 1623 | Anon,., The Troublesome Raigne of John, King of England |
| 1596 - 1597 | The Merchant Of Venice | 1600 | Fiorentino, IL Pecorone |
| 1597 - 1598 | The History Of Henry The Fourth, Part One | 1598 | Holinshed, Chronicles: an old play, The Famous Victories of Henry V |
| 1597 - 1598 | The Second Part Of Henry The Fourth | 1600 | Holinshed, Chronicles: an old play, The Famous Victories of Henry V |
| 1598 - 1599 | Much Ado About Nothing | 1600 | Belleforest, Histoires Tragiques; Ariosto, Orlando Furioso, Canto V |
| 1598 - 1599 | The Life Of Henry the Fifth | 1600 | Holinshed, Chronicles |
| 1599 - 1600 | The Tragedy Of Julius Caesar | 1623 | Plutarch, Lives |
| 1599 - 1600 | As You Like It | 1623 | Lodge, Rosalynde |
| 1599 - 1600 | Twelfth Night, Or, What You Will | 1623 | Riche, Apolonius and Silla |
| 1600 - 1601 | The Merry Wives Of Windsor | 1602 | Unknown |
The Third Period
The third lasted until about 1608 and this period contained all of his greatest tragedies. Also he wrote what are now called the "problem comedies". These plays are his most mature and deeply serious. This period contains all of the plays that are considered masterpieces.
| Probable Date of First Performance | Title | Date of Publication | Chief Source |
| 1600 - 1601 | The Tragical History Of Hamlet, Prince Of Denmark | 1603 | The early play of Hamlet; Belleforest, Histories Tragiques |
| 1601 - 1602 | The History Of Troilus And Cressida | 1609 | Various popular medieval accounts of the story of Troy |
| 1602 - 1603 | All's Well That Ends Well | 1623 | Painter, Palace of Pleasure |
| 1604 - 1605 | Measure For Measure | 1623 | Whetstone, Promos and Cassandra |
| 1604 | The Tragedy Of Othello, The Moor Of Venice | 1622 | Cinthio, Hecatommithi |
| 1605 - 1606 | The Tragedy Of King Lear | 1608 | Anon., Chronicle History of King Lear; various popular accounts, and Sidney's Arcadia |
| 1605 - 1606 | The Tragedy Of Macbeth | 1623 | Holinshed, Chronicles |
| 1606 - 1608 | The Tragedy Of Antony And Cleopatra | 1623 | Plutarch, Lives |
| 1607 - 1608 | The Tragedy Of Coriolanus | 1623 | Plutarch, Lives |
| 1607 - 1608 | The Life Of Timon Of Athens | 1623 | Plutarch, Lives; Lucian, Timon |
The Fourth Period
Until he gave up writing for the stage, lasted three or four years before his death. This period shows a falling off of intensity from the previous period. Most of his lines are packed with more meaning, but lacks some of his earlier liveliness.
| Probable Date of First Performance | Title | Date of Publication | Chief Source |
| 1607 - 1609 | Pericleas, Prince Of Tyre | 1609 | Gower, Confessio Amantis |
| 1609 - 1610 | Cymbeline | 1623 | Boccaccio, Decameron; Holinshed, Chronicles |
| 1610 - 1611 | The Winter's Tale | 1623 | Grenne, Pandosto |
| 1611 - 1612 | The Tempest | 1623 | No comprehensive sourse |
| 1613 | The Life of King Henry The Eighth | 1623 | Holinshed, Chronicles; Foxe, Book of Martyrs |
| 1612 - 1613 | The Two Noble Kinsmen | 1634 | Chaucer, The Knight's Tale |
Poems
| Venus And Adonis (1593) |
| The Rape Of Lucrece (1594) |
| The Phoenix And The Turtle (?) |
| A Lover's Complaint* |
| The Passionate Pilgram* |
| The Sonnets (1609) |
CHRONOLOGY OF THE LIFE AND TIMES OF WILLIAM SHAKESPEARE
| 1564 | April 26 - Baptism of William Shakespeare, the third child of John Shakespeare of Snitterfield and Mary of Arden of Wilmcote. Probably born on the 23rd. |
| 1568 | John Shakespeare becomes bailiff of Stratford. The Queen's Men puts on plays in the town. |
| 1582 | November 28 - William Shakespeare marries Anne Hathaway. She was born in 1556. |
| 1583 | May 26 - Baptism of first daughter, Susanna. |
| 1585 | The twins Judith and Hamnet Shakespeare are born. |
| 1587 | The Queen's Men performs in Stratford. Shakespeare may have returned to London with the company. |
| 1588 | The destruction of the Spanish Armada. |
| 1590 | The first performances of the historical trilogy Henry VI. |
| 1592 | Philip
Henslowe mentions a performance of Henry
VI in his diary. The plague ravages
London. Theatres are closed until 1594. Robert Greene's Groatsworth of Wit Brough with a Million of Repentance is the first public mention of Shakespeare as a playwright. In this article, he warns Christopher Marlowe "against an ingnorant newcomer, not educated at a university, who is shouldering his way into the profession." Also, he called Shakepeare, "an upstart Crow." |
| 1593 | Christopher Marlow is murdered in a tavern brawl. |
| 1596 | August 11 - Shakespeare's only son, Hamnet, dies at the age of eleven. Shakespeare becomes a "gentleman" when the College of Heralds grants his father a coat of arms. |
| 1597 | Shakespeare buys a large home called "The Great House Of New Place", his Stratford home. |
| 1598 | The first publication of a play under Shakespeare's name - the quarto of Love's Labour's Lost. |
| 1598-99 | The Theatre in Shoreditch is dismantled by James Burbage and rebuilt as The Globe at Southwark. |
| 1601 | Performances of Richard II at the Globe. |
| 1603 | Queen ElizabethI dies. The Chamberlain's Men become the King's Men. In London thirty thousand die of the plague. King James I's arrival in the city is postponed by a year. |
| 1604-05 | The Gunpowder Plot to blow up the Houses of Parliment led by Guy Fawkes is discovered. |
| 1607 | June 5 - Shakespeare's daughter Susanna marries John Hall, a well known doctor in Stratford. |
| 1608 | Shakespeare is one of the founders of Blackfriar's Theatre. |
| 1610 | The presumed year of Shakespeare's return to Stratford. |
| 1612 | Shakespeare testifies in the Belott-Mountjoy suit. The earliest surviving example of his signature is at the end of his deposition. |
| 1613 | June 29 - The Globe Theatre burns down during a performance of Henry VII when a canon fired on the roof sets fire to the straw thatch. The theatre is rebuilt, but Shakespeare retires. |
| 1616 | February 10 -
Shakespeare's daughter Judith marries Thomas Quiney. March 25 - Shakespeare signs his will. April 23 - Shakespeare dies on his 52nd birthday and is buried two days later. |
| 1623 | The death of Shakespeare's widow, Anne. The First Folio published by Robert Heminge and Henry Condell. |
Christopher Marlow
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(1564 - 1593)
| He was born in Canterbury, the son of a shoe maker, and educated at Cambridge. It is believed he may have been a government spy. Marlowe was murdered on May 30, 1593. It is unknown what really happened although the corner's report states he was stabbed above the right eye in a tavern brawl. At the time of his death, he was considered the greatest playwright in England. His works include: Tamburlaine The Great (1587 - 1588), Doctor Faustus (1588), The Jew of Malta (1590), and Edward II (1592). Edward II was possibly inspired by Shakespeare and described the dethronment of Edward II by his barons and French Queen. |
Thomas Kyd
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(1558-1594)
| None of his early work survives, but he is best known for The Spanish Tragedy (1587). Also, he may have written the first version of Hamlet before Shakespeare, and he may have contributed to Titus Andronicus and to Arden of Faversham, which at one time was incorrectly attributed to Shakespeare. |
Ben Jonson
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(1572-1637)
| An unsuccessful actor, Jonson estblished himself as a playwright with Everyman in his Humour (1598). He was trained as a bricklayer and fought in a war in Flanders in which he distinguished himself. Shortly after he joined Henslow's company in 1597, he was almost executed for killing a fellow actor in a duel. Some of his works include: Volpone (1612), The Alchemist (1610), and The Devil is an Ass (1616). |
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| You are a dull and muddy-mettled rascal. - Hamlet (II,ii,562) |
| His brain is as dry as the remainder biscuit after a voyage. - As You Like It (II, vii, 38-40) |
| She does abuse to our ears. - All's Well That Ends Well (V,iii,317) |
| You small grey-coated gnat. - Romeo and Juliet (I,iv,67) |
| Sweep on you fat and greasy citizens! - As You Like It (II,i,55) |
| You Motley-Minded Gentleman! - As You Like It (V,iv,40-41) |
| Your Face Is Not Worth Sunburning. - Henry V (V,ii,144) |
| You are ill met by moonlight. - A Midsummer Night's Dream (II, vi, 60) |
| You corrupter of words! - Twelfth Night (III, i, 37) |
| Thy brains are useless boiled within thy skull. - The Tempest (V,i,59) |
| Thy lips shall sweep the ground. - Henry VI, part 2 (IV,i, 74) |
| You mad mustachio purple-hued maltworm. - Hamlet (II,i,73) |
| Blister'd be thy tongue for such a wish. - Romeo & Juliet (III,ii,90) |
| Out, dunghill! - King Lear (IV,vi,24) |
| You worthless post! - Two Gentlemen Of Verona (I,i,147) |
| Will you not eat your words? - Much Ado About Nothing (IV,i,227) |
| Some strange commotion is in your brain. - Henry VI (III,ii,112) |
| You thorny hedgehogs, newts and blind worms! - A Midsummer Night'sDream (II,ii,10) |
| Thou art a very ragged wart. - Henry IV (III,ii,140) |
| You are duller than a great thaw. - Much Ado About Nothing (II,i,228) |
| There's many a man hath more hair than wit. - The Comedy of Errors (II,ii,81082) |
| He shall die a flea's death. - Merry Wives of Windsor (IIV,ii,138) |
| Why are you a fool? - Troilus and Cressida (II,iii,68) |
| Your horrid image doth infix my hair. - Macbeth (I,iii,125) |
| What wind blew you hither. - Henry IV, part two (V,ii,83) |
| I have seen small reflections of her wit. - Cymbeline (I,iii,29-30) |
| Toads, beetles, bats, light on you! - The Tempest (I,ii,342) |
| You long tongu'd babbling gossip! - Titus Andronicus (IV,ii,151) |
| Thy lips rot off. - Timon of Athens (IV,iii,64) |
| You candle-waster! - Much Ado About Nothing (V,i,18) |
| Such a dish of skim milk. - Henry IV, part one (II,iii,33) |
| You soft and dull-ey'd fool. - Merchant of Venice (III,iii,14) |
| Thou crusty botch of nature! - Troilus & Cressida (V,v,5) |
| You are a fishmonger. - Hamlet (II,ii,174) |
| You considerate stone! - Antony and Cleopatra (II,ii,110) |
| He has not so much brain as ear wax. - Troilus & Cressida (IV,i,51) |
| By this hand. I will supplement some of your teeth. - The Tempest (III,ii,47) |
| You are merely a dumb-show. - Much Ado About Nothing (II,iii,210) |
| Thou art a very ragged wart. - Henry IV, part 2 (III,ii,140) |
| Are his wits safe? Is he not light of brain? - Othello (VI,i,265) |
| Well said brazen-face! - Merry Wives of Windsor (IV,ii,124) |
| O, there has been much throwing about of brains. - Hamlet (V,ii, 85-86) |
| Your chin is but enrich'd with one appearing hair. - Henry V (III, Chorus, 22-23) |
| This was based on the belief that the land belonged to God, but that the Kings, who ruled by divine right, managed the land, and used it as they wished. The Kings needed the good will and support of the Nobles and Knights so they granted them lands in return for their military services. The Nobles and Knights would in turn grant some of their lands to Freemen. Life lived under the Medieval Feudal System demanded that everyone owed allegiance to the King and their immediate superior. Everyone was expected to pay for the land by providing services such as chores, providing soldiers for the King, and providing clothes and weapons for the soldiers. The order, which the Medieval Feudal System was as follows: |
| The Pope: The head of the Roman Catholic Church and the Western World. |
| The King: The one who rules the land and is a monarch. |
| Archbishop (Bishop & Clerics could move up the ranks): A bishop ranking above other bishops in an ecclesiastical province. |
| Nobles: A class of persons set apart by high birth or rank. (Lords and Ladies) |
| Knights (Squires & Pages could move up the ranks): Knights were highborn medieval gentleman-soldiers raised by a sovereign to privileged military status after training as a Squire. |
| Bishops & Clerics: A Bishop is a high-ranking Christian cleric and a cleric is a man who is ordained for religious service. |
| Squires & Pages: Young feudal nobleman, attendant on a Knight, and ranked next below a Knight. |
| Maidens: Unmarried women of noble birth, and were pursued by Knights and Lords. |
| Freemen: Free people who were not bound to the land, but did pay a fixed rent to a Lord. Usually, these men belonged to a guild. |
| Yeomen: A man who owns and works a small farm. |
| Servants: Those that served Nobles and Kings in their residences and castles. A Nurse is an attendant for a Maiden. |
| Villeins: A class of feudal serfs holding the legal status of freemen in their dealings with all persons except their lord. |
| Serfs: Compromising of tenant peasant farmers and labors owned by a Lord and bound to the land. |
| Bondsmen or Slaves: Those that are forced to work or perform hard labor with out wages. |
Medieval Guilds
| The word guild is from the Saxon gilden meaning, "to pay" and refers to the subscription paid by the members. Freemen could achieve a higher social status, through guild membership, and Guild members were supported by the Guild if they became sick. There were two main kinds of guilds - merchant guilds and craft guilds. A man would have to work through three phases to become an elite member of a Medieval Guild. |
| Apprentice - A Medieval Guild Apprentice was sent to work for a 'Master' during his early teens. The Apprenticeship lasted between 5 and 9 years depending on the trade. During this time the apprentice received no wages - just his board, lodging and training. An Apprentice was not allowed to marry until he reached the status of a Journeyman. |
| Journeyman - A Medieval Guild Journeyman was paid for his labor. During this time the Journeyman would create his 'Masterpiece', in his own time, which he would present to the Guild as evidence of his craftsmanship in the hope of being accepted as a 'Master'. It was difficult to reach the status of 'Master' and much depended on the Journeyman's standing and acceptance by the top members of the Guild. |
| Master - A Medieval Guild Master craftsman could set up his own workshop and train his own apprentices. |